On March 6–7, a creative production event held at the Middle East Technical University Design Factory brought together participants from diverse disciplines on a shared design ground. Throughout the event, the concept of time was approached not merely as a chronological sequence, but as an aesthetic and conceptual layer. Architectural and artistic styles from different eras were reinterpreted on a single surface.
Participants developed their own design languages by drawing from a wide range of references, spanning from the Renaissance to contemporary digital and cyberpunk aesthetics. The process extended beyond visual production; it also transformed ways of thinking. Individuals from different backgrounds integrated their perspectives into a collective workflow, resulting in a truly interdisciplinary experience.
Within the scope of the event, projects were developed at the scale of architectural façades. Participants did not simply design surfaces; they constructed narratives, built alternative worlds, and translated their ideas into tangible outputs. The production process was highly intensive. Work continued late into the night, with renders taken in the early hours and final refinements made right up to the deadline, reflecting the dynamic nature of the experience.
In the final phase, the designs were projected onto a façade, turning individual outputs into a shared public experience. Each project became more than a visual artifact—it represented a way of thinking and a reflection of the creative process behind it.
Rather than being a conventional hackathon, the event created an environment centered on collective thinking, production, and transformation. It offered participants not only a space to create, but also a platform where different perspectives intersected and evolved.
The event was held at METU Design Factory under the framework of METU Crea, which aims to support the development of creative industries.